Showing posts with label EDM. Show all posts
Showing posts with label EDM. Show all posts

Saturday, August 30, 2014

INTERVIEW WITH | The Glitch Mob

Image via Facebook
I sat down with the guys of The Glitch Mob earlier this month in Montreal, where we chatted about their new album, the world of EDM and the ever-growing Glitch Mob community. Made up of Josh "Ooah," Justin "Boreta" and Ed "edIT," this LA-based trio has been working hard on making their music known worldwide.



Check out some of the interview below:

Earlier this year, you released your second album, Love Death Immortality – what went into the making of it?

Justin: It was about a two-year process where we had been touring our previous album and decided to stop and take everything we learned on the road and put it back into our new record. The focus for us is always on the emotion and the story and feeling of a song. This time, we put it into a package that was ready to be performed live and toured. It sounded like music that was engineered for the live stage and had the energy of the drama of a big live show we wanted to put on.

Saturday, August 17, 2013

Osheaga 2013 | Robert DeLong

Photo via RobertDeLong.com
My final Osheaga interview this year was with EDM artist Robert DeLong. This talented young musician was included in Billboard's list of artists to watch in 2013 and has definitely been proving that he has what it takes to make it big time. His unique live performance and cool beats are what sets him apart.

Take a look at his awesome music video for his hit track "Global Concepts":



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Christina: This summer has been pretty jam-packed with festivals…do you prefer sets like those or the smaller shows?

Robert DeLong: It’s totally different. I love festivals because you give people 30-40 minutes of what feels like a commercial for Robert DeLong. It’s cool and fun because there’s just so much energy and you get to play for people who have never seen you before. So I love that. But playing small shows is great too because I have total control and I get to play an hour set or whatever. It’s cool.

C: For someone who hasn’t heard your music yet, how would you describe it to them?

RD: This is always a tough question for me to answer. I usually say indie songwriter meets electronic dance music with a crazy live show involving a Wii remote, joysticks, drum kit, etc.

C: Where did this signature X come from?

RD: My girlfriend just painted it on my headphones one time and my good friend who’s a graphic designer turned it into what it is. Then it was sort of my branding from there on out.

Photo via RobertDeLong.com
C: What was it like getting into the EDM scene and since then, have you noticed any major changes?

RD: I live in LA and it’s definitely grown a lot and changed a lot, even in the last two or four years. It’s cool because there’s a lot more exposure but also it does create the weird thing how it becomes more commercial. I’m glad that people are embracing dance music and getting into new sounds though. Especially the LA people; they were introduced to dub step and now there’s the whole world of electronic music they can get into.

C: What went into the making of Just Movement?

RD: That was an album I wrote over almost four years. I’ve just been writing songs and putting them together and then at some point I realized I had a pretty massive collection of songs. So I chose songs that I thought fit together and then last summer we got into the studio just to do the final mix on it. It was really just a labor of love. A lot of those songs went through multiple iterations. Some of them were on acoustic guitar initially, then I started performing and I’d mess around with doing it electronically and then I’d go back in the studio and take those ideas and recreate the songs.

C: What advice do you have for aspiring musicians?

RD: Work hard. I think that’s actually the most important thing.  Work hard and you have to love it. Those things go hand in hand. If you can work hard and obsessively work on it that means you love it. And be nice to people.

Check out http://robertdelong.com/ for more updates!

- Christina
Follow my adventures on Twitter: @christinaaa28

Friday, March 1, 2013

I Know The DJ | SMW NYC


Lately, I've been really getting into the whole EDM scene, from listening and interviewing different DJs, getting my friends to teach me how to DJ, and even finding myself being able to get tons of work done when I have trap music blasting in my headphones. So when I heard that there was going to be a session at social media week focusing on EDM, music journalism and the role of social media, I knew I had to be there.

It took place on Friday, February 22nd at the Soho House (I've been to the one in Toronto and was excited to see what the NY location would look like inside!). The event was hosted by elektro Magazine & Soundctrl and was moderated my elektro's Executive Publisher, Zev Norotsky (@zevnorotsky).


Panelists:

Nikhil Shah - Co-founder, Mixcloud; @nikhilshah
Kerri Mason - CODE editor, Billboard.com; @HotWaterInc
Tommie Sunshine - DJ & Producer; @TommieSunshine
Matt Engleman - A&R, Big Beat Records; @WeAreBigBeat


One social media phenomenon they talked about was the Harlem Shake. The song itself, created by Baauer was made into an overnight success thanks to the hilarious videos that people began making, featuring ridiculous costumes and crazy "dance moves" - the fact that none of the videos actually include any Harlem shaking is another issue.

For example, here is my school's attempt at the Harlem Shake:

Baauer, a young talent to come up on the scene, is apparently the most humble guy about this whole situation. He was just featured on the cover of Billboard Magazine, as Kerri Mason brought in a few copies hot off the press to show us all - it's so cool!


I'd just like to add that I really liked Baauer before the whole Harlem Shake craziness...just putting that out there.


During the session, it was really cool hearing from Tommie Sunshine, who has been around in the industry for quite a while. He shared his views on the influence of social media and having a career in electronic music.

We also got to go home with a copy of elektro - Deadmau5 reppin Canada on the cover!


And just for the heck of it, here is what Harlem Shaking actually is:


This was my last Social Media Week NYC event for the week and I'm so glad it ended on such a high note. I had a great time running around the city hearing awesome speakers and meeting cool people!

- Christina
Follow my adventures on Twitter: @christinaaa28

Monday, February 11, 2013

INTERVIEW WITH: MAKJ



Making it big in the world of electronic dance music and making a name for yourself as a DJ or a kick-ass producer can be difficult, but it’s all about working hard and putting yourself out there. For 22-year-old Mackenzie Johnson, known as MAKJ, his hard work is paying off, as he gets to travel the world on tour and do what he loves.

Starting out with simple mash-ups, he eventually gained support from some of the biggest EDM names out there (Tiesto, Hardwell, Steve Aoki, just to name a few). MAKJ has come a long way and has began producing his own material. Take a listen:



As for how he got into music in the first place, his story is an interesting one.

He has a background in racecar driving, even spending some time competing professionally in China as a teenager. It was in Macao that he first caught a glimpse of the world he wanted to be a part of. He stumbled upon a club and saw DJ QBert, a world-champion scratcher, and since then, he was hooked.

When he got back to the States, he bought his first DJ equipment and started playing at college parties and weddings, anything to get as much experience as possible. And after graduating with a degree in architecture, he decided to move down to LA to attend Icon Collective, a school that specializes in music production, to learn the ropes. 

Source: Facebook

He was in Toronto for the first time for a show on January 26th at TheHoxton (one of my fave venues) and it was great chatting with him before his set. Check out some of his answers from the interview:

What are some of the biggest challenges you’ve come across?

MAKJ: There hasn’t been any big horror stories that I’ve heard about, I won’t really mention them. I’ve heard some from clubs. But going to these everyone treats you really well and are really nice. I was just telling my mom this, it’s like a different life every time I go and play. I meet new people, I eat different food, I sleep in a different bed, it’s different every single night. So I really just think of it that way. I love what I do. Traveling, if that’s the worst thing I can come across right now, I’m stupid.

Do you have any pre-show rituals? How do you prepare before a gig?

MAKJ: I eat a cheeseburger, no I’d be 500 pounds. But no, not really. I go to my hotel room and try to find the dumbest thing on TV and try watching it while I do my music.  But not really. A lot of people don’t know this about me, but I’ve been DJ-ing for around six years. A lot of people that start following me and come to my gigs, they don’t know how well I can DJ. So for me, showcasing my DJ abilities is super crucial for me.  That said, I do everything live. I’m not going to know if the crowd is going to be a bunch of 50-year-olds or a bunch of 18-year-olds, so I’m really playing for the crowd. And that’s a huge highlight for me because I know that every DJ out there has a set already planned. But that’s the rush of it.

It’s the thrill of it, knowing how they’re going to react to the songs. For me, that’s what I really like to do. Like tonight, you guys are going to be like, woah I didn’t know you were going to do that. I’ll be going from house to old school hip hop, back to house and then trap, and people will be like, what how did you do that, I’ve got a full array. It’s a very A-Trak thing. So it’s cool that I can show people what DJ-ing actually is.

Who would you love to collaborate with someday?

MAKJ: Everyone has a dream collaboration, but for me, yeah EDM guys are awesome, so definitely with Hardwell or the bigger guys, that would be awesome. But I really want to do something with an old classic rock band, like how Skrillex did that thing with The Doors. I think the generation thing would be so sick.

What advice do you have for other aspiring DJs and producers?

MAKJ: Do stuff for free. Definitely that’s the way my fan base came across. People love free shit. If you don’t have any free stuff to come by, do what people like. It sounds cliché, but do your own thing. I’m trying to do an album right now of all the stuff I think I would like. If you go to Beatport and reference the number one track on Beatport, I don’t really see you going that far because you’re not being yourself. So be yourself and break the rules. For me, give away free shit.


DJ MAKJ brought my friend and I along to the venue for his show and he did not disappoint. His set was fast-paced, energetic and the place was bumpin.  I had such a great time (ps: it was also my birthday weekend, so this was a bonus!). Check out some of my coverage from The Hoxton:








He's got tons of upcoming shows, from Boston and New York to Puerto Vallarta and Miami, plus a residency spot at Tryst in Vegas. He's also on the line-up for Ultra (March 23rd) for the first time this year!

And during our interview, he mentioned a sick collaboration he worked on that he'll be releasing later this year, but couldn't reveal the name...so until then, keep an eye out! 

For more from MAKJ, find him on Facebook, Twitter and Instagram (@DJMAKJ).

- Christina
Follow my adventures on Twitter: @christinaaa28